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With To Love To Leave To Live, Minneapolis-based Her Crooked Heart presents a debut record unique in form, made up of cyclical narratives and intertwining histories, each informing the next. The result is a transformative song cycle, led by a charismatic personality, wholly indifferent to expectations of genre and instrumentation. Rachel Ries, the writer, multi-instrumentalist and producer behind Her Crooked Heart, demonstrates immense vulnerability and multifaceted musical craftsmanship to deliver a personal and profound musical soliloquy on love, leaving and the life that follows after burning it all down.

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In 2013, after two and a half years of marriage, Ries found herself touring a record around the world, accompanied by a stack of divorce papers in a pocket of her suitcase. She had left her marriage and a good man in New York City and leapt into the untethered unknown. What transpired was in turns euphoria and despondence; old lessons learned in new ways. The songs on To Love To Leave To Live are a compassionate and at times wry catalogue of those tumultuous years. With co-producer Shane Leonard, she enlisted several collaborators whom she’d met on the road; some while touring with Anaïs Mitchell: Brian Joseph (Sufjan Stevens, Paul Simon), Rob Moose (yMusic, Alabama Shakes), Mike Lewis (Bon Iver), Alec Spiegelman (Cuddle Magic), Pat Keen, John DeHaven and Ben Lester.

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To bring these songs and this record to the stage, Ries has enlisted a powerful group of women; women who can, in their way, take on the feminine, humanist mantle of Her Crooked Heart and make it their own. The quartet blends classical and electric guitar; piano and vintage synths; cello, woodwinds and drum triggers. This merging of acoustic and synthetic sounds is all in service of the voice: four part vocal harmonies that shift from ethereal to an elemental wail, but always tell a story of transformation.

 

Rachel is a 2018 Rauschenberg 3Arts Fellow and a recipient of two 2019 MN Arts Board Grants: Arts Initiative and Arts on Tour. 

PRESS for TO LOVE TO LEAVE TO LIVE

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Rachel Ries [aka Her Crooked Heart] has a sensibility as familiar and comforting as it is surprising. At one turn, she's got the vocal prowess of Tori Amos; at another, the complexity of a Radiohead tune. TO LOVE TO LEAVE TO LIVE is a record I've not stopped playing since I first heard it, and one I can anticipate revisiting for many years to come.

​– Amy Reitnouer

Executive Director, The Bluegrass Situation

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"...listeners will be spellbound by the power, emotion, and purpose behind each second of music they’ve just heard."

– Substream Magazine

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NPR Weekend Edition Sunday Interview w Rachel Martin

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...her clear voice, imbued with, at various turns, strength an​d​ fragility, incorporates folk-country and jazz influences.​ – No Depression

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A gorgeous gush of warm-blooded harmonies

– Uncut

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Ghost of a Gardener is a technicolor treasure, in word and melody – Maverick UK

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Setting her apart from many of her peers are the adventurous and compelling instrumental arrangements of her sweetly poetic material

– 8/10, Exclaim!

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...mesmerizing songs that approach the dark magic of Marilynne Robinson's novel "Housekeeping"

– NJ Star-Ledger

RADIO FEATURES

NPR's Weekend Edition

Chicago Public Radio

MPR's The Current

WFMU

KEXP

BBC London, Scotland, Bristol,

Sheffield, Northampton

Ireland's RTé

RR has collaborated / recorded / performed with

​• Anaïs Mitchell • Gregory Alan Isakov • jeremy messersmith • Cuddle Magic • Chastity Brown 

The Steel Wheels • Jayme Stone • The Suitcase Junket

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shared the stage with

• Lake Street Dive • Josh Ritter • Bon Iver  • Dan Wilson • Greg Brown

 

performed at

• Radio City Music Hall • The Fitzgerald Theater • Ottawa Folk Festival

Rachel is also an accomplished educator and uncommon choir director who believes everyone has a voice. She works to make art accessible to people of all ages and abilities through her tailor-made educational offerings. Learn how you can work together here.

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Rachel is a passionate, creative, and thoughtful teacher. she brings a deep empathy and enthusiasm to the students that she works with. It's obvious that she cares deeply about all aspects of the student experience, from the pedagogical to the personal.

– Corey Harrower, Assistant Director, Vermont Governor's Institute on the Arts

Bobby Maher, management:  woolsmgmt@gmail.com

Booking: N. America, UK: booking@hercrookedheart.com 

France: Freddie at Europe & co. / Switzerland: Alaina at Hush Hush

UK Press: Lizzie at Evan's Above

US Press: Maria + Sarah at IVPR

Rachel Ries: rachel@hercrookedheart.com

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